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The Writing of the Saints of Contemporary Poems
——The Constructing of the Ancient Chinese Poems from the collection of “My Confucius” in the modern Han Poems
Author: He Guanghong
Source: The author authorized the Confucian Network to publish, the original issue of “Han Language and Literature Research” Issue 3, 2020
Abstract: The Writing of “My Confucius” in the modern Han Poems is a model text for modern Han Poems, and it is also Contemporary Chinese poets carried out the main reality of the construction of the Chinese and Xia ethnic civilization, and realized the components of the Chinese ethnic poets who confirmed the source of self-civilization, and at the same time reflected several main dimensions of contemporary Han Chinese poetry: one is the root of modern Han poetry returning to the path of sings; the second is the modern Han poetry gradually developed a classical image sacred teaching of the sound of the saints; the third is the modern Han poetry’s worship and reconstruction of the classical and living in the history of mountains and rivers. These dimensions are a new dimension to modern Han Chinese poetry that was created by fresh historical writing, which gradually corrects the admiration of Chinese poetry and the confusion of roots in modern times.
Keywords: To be fresh; “My Confucius”; modern Han poetry; vernacular poetry; Han poetry; civilization coordination body
History is the foundation of the preservation of a vernacular race. Without historic tradition, there will be no vernacular race and civilization. The borders of the ethnic group are not fixed, and the boundaries of civilization are often broken. However, the genes and focus elements that build the foundation of the ethnic group and civilization will not dissipate, and will continue with the ethnic group and civilization. The mission and responsibility of each large ethnic and civilized tradition is to absorb energy from its long history to realize its creation towards the new era. The Sichuan poet Xiangyi’s fresh poem “My Confucius” is a “exemplary” writing that finds the foundation of the Chinese and Xia civilization and lays the foundation for contemporary Chinese civilization and even world civilization. I will be herePreparing price pttThe “model” of the modern Han poetry group “My Confucius” is derived from the writing of contemporary poetry songs A kind of long-lasting stern alert is that modern Han poets often fall into the Eastern contemplation and remarks of sexual writing. They are regarded as the highest syllabus fantasy by international awards, but they forget the origin of the syllabus and the flesh and blood of the people that are rooted in. It is precisely from this perspective of ethical and source writing that eliminates the discourse between the East, “My Confucius” is particularly worthy of the contemporary Chinese poetry criticism community. The author will think about this group of poems andA brief analysis of the meaning of poetry songs and history Baobao.com VIP.
1. The root self-perception of modern Han poetry: Return to the way of poetry
The mother language of Chinese poets is Han language, and Han language is the visible body of Chinese poetry. In 1998, Wang Guangliang proposed the concept of “modern Han poetry”, which has the main meaning of the self-consciousness and the recognition of the civilized components of contemporary Chinese poetry. The name of “modern Han poetry” helps to replace the vague concepts of “new poetry” and “unrestricted poetry”. The focus is on emphasizing “modern Chinese experience” and “modern Han language”, and focusing on the self-construction activities of China’s modern experience and modern Han languages that accept, share, and are born with each other’s natural civilization. [1] Fu Tianhong and other scholars proposed the concept of “Hanzhi New Poetry”, and the focus on the side is to integrate the Han language civilization circle so that Han language civilization can become a civilized cooperation without political differences. [2] The proposal of the concepts of “modern Han poetry” and “Han New Poetry” has broken through the political and geopolitical boundary system of the concept of “China”, and it also helps to expand the influence of China as the focus area of Han civilization. Just write in Han, to incorporate and recognize the civilization information brought by modern Han poetry or Han poetry as the concept of civilization, a root self-consciousness and civilization that come from the source can be confirmed.
In this way, we see that although the name of contemporary Chinese poems highlights “modern” and “new”, it is also shaped by the constraints and restrictions of the “Han language” or “Han poetry”, its energy and soul are also shaped. A civilian and its civilization, which originated from the roots, was called out in the name of “modern Han Poems” and “Han New Poems”, and thus showed the unique characteristics and differences of Chinese poets to his civilians, that is, the secret code of energy and the seal of souls brought by the Han body. It is precisely from this perspective that I criticized the fall of ethnicity caused by the writing of philosophical poems represented by Nishikawa in kneeling down to the idols of Eastern poetry, and this is the main meaning we have discovered to explore the fundamental way of philosophical poems with a fresh approach to the source of Han civilization. Whenever Chinese poetry encounters sudden changes in fate of the people, the big thinkers always strive to reach the root of the source. In this way, we can understand Liu Xie’s “original Taoism”, “sacrifice” and “secting saints” after he encountered the Five Barbarians.”, which establishes the Chinese-Chinese poems with Han language as the introductory meaning of the Chinese people, to resist the destruction of the national energy that the nation can bring.
In the two concepts of “modern Han poetry” and “Han language new poetry”, I emphasize the concept of “modern Han poetry”. The meaning of this choice is that the meaning of “new” is slightly ambiguous, while “modern” is clearly emphasized by a Chinese people from “classical” to “modern” The fateful transformation of the world is not only modern in language and emotion, but also emphasizes a modern energy to cultivate modern people and build modern countries, and create a broad civilizational energy for the people. Regarding the mission of Han poetry in the combination of modern and classical, I once called for “The Chinese and Xia poems of the Century Transformation Era of the Century Transformation Era”: “When the historical industry reached the 20th to 21st century, the doors of the rescue station were narrow and old, and the inside was deserted. In the world of global competition that serves the friendship behind the Taiwan Strait, modern Han Chinese writing has been curious for 100 years since it has changed from civilized movements. The mature cats are weak and strong when they call. After searching for a while, she became increasingly the self-desire of contemporary Chinese poets. …Adhering to the ancient sages, listening to the revelation, reshaping the sectarian tribe, opening up unrestrained philosophy, and cultivating the sectarian tribe’s souls. In the era of humanistic reform in the warring states of age, we once again heard such sounds: the no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no-no- ”
In this call for self-definition, I adopt a calling language, and I emphasize the internal connection between words such as tribute, thinker, sacred writing, and gentry. The words of this vocabulary are my name for “gentry”. What is the gentry? That is the purity of the tradition of civilized civilization. The poet who comes from the source to write about the Taoist sects of the tribe and their historical destiny is the poet of the tribe. The poet of the tribe must be a thinker, a sacred listener with a prophetic style. He settles in the preservation of the individuals of this tribe, rejoices and mourns what he has sorrows, and also creates eternal things that can lead the tribe to the continuous forward and upward eternity The unjust sacred worship and a sound personality. The gentry poets are often the deepest personal experiences of the gentry’s hardship and individual suffering. They sink into the darkness and purity of that era, not to conquer individuals and gentry into the absolute view and destruction, but to upgrade light and hope.
A sacred thing that the gentry needs itself, A commoner has a sacred moveme
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